Lorber Films


29
Jun 11

A Kino Lorber Double Feature!

OFFICIAL SELECTION: SXSW 2010

“Enlightening…One of the most informative, incisive and inclusive treatises on the topic.” – Austin Chronicle

American Grindhouse

Lorber Films is releasing the acclaimed American Grindhouse on DVD, which will also be available in a special 2-disc set with Nightmares in Red, White and Blue.

American Grindhouse (2010) is a revealing survey of grindhouse cinema and exploitation films, which John DeFore in The Hollywood Reporter called “a lively and stylish look at the history of illegitimate cinema”.

The DVD is packed with special features including Feel the Grind: The Making of American Grindhouse, along with vintage radio spots, photo galleries, extended interviews, and much more! Priced at $19.95, American Grindhouse is available for prebook on June 28, 2011, with a street date of July 26.

The salacious and uproarious hit of the film festival circuit, American Grindhouse explores the hidden history of the American exploitation film. From the tents of carnie roadshows of the early 20th century to “Nudie Cuties”, blood-soaked gore fests, biker flicks, blaxploitation and beyond – American Grindhouse takes a fascinating look at the films, the filmmakers, shysters and hustlers who made it all happen.

Narrated by Academy Award® nominee Robert Forster, American Grindhouse boasts exclusive interviews with Herschell Gordon Lewis, Joe Dante, Larry Cohen, John Landis, Fred Williamson, and many, many more! This brand new DVD includes over 2 hours of hilarious outtakes, classic grindhouse trailers and long-lost, never-before-seen interviews rescued from the vaults and included here for the first time ever.

SPECIAL FEATURES:

  • Feel The Grind: The Making of American Grindhouse
  • Vintage Radio Spots
  • Photo Galleries
  • Extended Interviews
  • …and much more!

2010 / US / Color and B&W / 82 min. / Not Rated / 1.78:1 (16:9) / English

ALSO AVAILABLE IN

A KINO LORBER DOUBLE FEATURE!

AMERICAN GRINDHOUSE (2010)

and
NIGHTMARES IN RED, WHITE AND BLUE (2010)

…Together for the First Time in a 2-Disc Set


American Grindhouse is also available in a special double feature DVD set with Nightmares in Red, White and Blue, a “thoroughly entertaining” (Dread Central) documentary about the history of the American horror film.

This special, 2-disc set is priced at $29.95, and is available for prebook on June 28, 2011. The street date is July 26, 2011.

Grindhouse/Nightmares Case

NIGHTMARES IN RED, WHITE AND BLUE (2010)

“The best documentary of its kind in years!” – Fangoria

“Insanely informative and fascinating…a unique perspective on the rise of the American Horror film.” – Classic-horror.com

“…Thoroughly entertaining.” – Dread Central

WINNER – RHODE ISLAND FILM FESTIVAL

 

Nightmares in red, White and Blue DVD

Nightmares in Red, White and Blue is a comprehensive history of the American horror film that aims right for the jugular. Starting with Thomas Edison’s version of Frankenstein and slashing its way through to Saw and beyond, this incisive documentary examines how these monstrous creations were gruesome reflections of their time.

Nightmares charts the genre’s shift from atomic age anxieties (Them) and Vietnam-era violence (Night of the Living Dead) all the way to post-9/11 xenophobia (Hostel), with stops at the Texas Chainsaw Massacre and Camp Crystal Lake in between. Director Andrew Monument also explores the rebellious appeal of the outsider, starting with silent star Lon Chaney and later epitomized in Hannibal Lecter’s idiosyncratic pursuit of individual liberties.

With commentary from horror luminaries including Roger Corman, Joe Dante, John Carpenter,  Larry Cohen, and George Romero, and featuring clips from more than 150 movies spanning over 100 years, Nightmares is a bloody master class on one of America’s most enduring and revealing art forms.

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12
May 11

Three Sophia Loren Films Coming to Blu-ray!

Three of Sophia Loren’s films are coming to Blu-ray and a special four-disc DVD set!

Released by Lorber Films, The Sophia Loren Award Collection presents Yesterday, Today and Tomorrow (in a special two-disc set with the documentary Vittorio D.), Marriage Italian Style, and Sunflower in splendid new HD transfers. These films were all directed by master Italian filmmaker Vittorio DeSica.

Sunflower bluray Yesterday Today and Tomorrow BDMarriage Italian Style Bluray

This marks the first time that these films are available on Blu-ray, and Lorber Films is proud to make them available in stunning new HD transfers.

Sophia Loren Box

Yesterday, Today and Tomorrow

Winner of the Best Foreign Film Oscar at the 1965 Academy Awards, Yesterday, Today and Tomorrow is a sparklingly original comedy that casts Marcello Mastroianni and Sophia Loren in three different stories set throughout Italy. In Naples, they are poor but resourceful, selling black market cigarettes on the streets. In Milan, Loren is costumed in Christian Dior and debates her preference for a Rolls Royce or her husband. And in Rome, Mastroianni is an industry scion who helps Loren’s prostitute set a wavering priest back onto the spiritual plane.

This episode features Sophia’s famous striptease, which was recreated 30 years later in Robert Altman’s Ready To Wear. Witty and unforgettable, this gem from master filmmaker Vittorio de Sica (Two Women, Marriage Italian Style) is picture-postcard beautiful and effortlessly hilarious.

Also featured in this special 2-disc set is Vittorio D., a documentary on the life and legacy of the great director (and frequent Loren collaborator) that offers fascinating interviews with Woody Allen, Clint Eastwood, Mike Leigh and many others.

Special 2-disc set:

Disc 1:
Yesterday, Today and Tomorrow
Trailers
Stills Gallery

Disc 2:
Vittorio D., a feature-length documentary about Vittorio DeSica
Galleries

Italy / 1963 / 118 min. / Color / Italian w/English subtitles / 16:9

Yesterday, Today and Tomorrow (1963)

Marriage Italian Style

One of the most famous, and funniest, Italian comedies of all time, Marriage Italian Style received nominations for Best Foreign Film, and Best Actress for Sophia Loren, at the Academy Awards. Marcello Mastroianni co-stars as the irrepressibly carnal businessman Domenico, who discovers Loren’s Filumena as a young prostitute and keeps her as his mistress and confidante. When he chooses to marry a young cashier instead of her, Filumena is furious, and resorts to a series of wild and hilarious ruses to win back his hand. Directed by the great Vittorio De Sica (The Bicycle Thief), Marriage Italian Style is a timelessly bawdy classic.

Extras include:
Trailers
Theatrical Promo
Stills Gallery

Italy / 1964 / 101 min. / Color / Italian w/English subtitles / 16:9

Marriage Italian Style (1964)

Sunflower

An Oscar nominee for Best Score (Henry Mancini), Sunflower is a grandly emotional melodrama featuring a stunning performance from Sophia Loren. In another of the actress’s great collaborations with director Vittorio De Sica (The Bicycle Thief), Loren plays Giovanna, a steel-willed Italian woman on a desperate search to find her husband Antonio (Marcello Mastroianni), who has gone missing on the WWII battlefields of Russia. Making the grueling overland journey years after the end of the war, she tracks Antonio down and finds him a changed man. This heart-wrenching reunion will forever alter the course of their lives. Full of stunning images and powerful acting, Sunflower is a devastating romantic epic you won’t soon forget.

Extras include:
Theatrical Promo
Stills Gallery

Italy / 1970 / 107 min. / Color / Italian w/English subtitles / 16:9

Sunflower (1970)

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19
Jan 11

An Interview with C. Scott Willis, director of “The Woodmans”

By Matt Barry

A portrait of the life and work of photographer Francesca Woodman, C. Scott Willis’ documentary, The Woodmans, examines how the artistic process impacts both the artist and her family. In this interview, Willis discusses his approach in examining Francesca Woodman’s personal history through interviews with her parents, the impact that Francesca’s powerful story has on audiences, and the inspiration he found in her art while engaged in his own creative process making the film.

What influenced your decision to make a documentary on Francesca Woodman?

My decision to make the film started with an embarrassing mistake: When I first met Betty and George Woodman at a party in New York we quickly figured out that both our daughters studied photography at the Rhode Island School of Design. But I didn’t know the Woodmans’ work or Francesca’s history and when I asked if my daughter could get in touch with their daughter I quickly learned. I was mortified by my gaffe but Betty and George told me an amazing story about Francesca’s life and their lives as artists. As soon as the party was over I looked up Francesca’s work and realized what a great film that story could make. I had other projects I was working on – but none were as compelling to me as The Woodmans.

How did you approach exploring the family dynamics between the Woodmans?

My approach is probably best described as persistence and patience. It took three years of conversations with Betty and George before they agreed to do the film. Another three years was spent filming it, and we followed them from New York to Des Moines, San Francisco, Florence and Beijing. We filmed more days than I have ever spent filming a documentary, not a prudent decision for a small independent film. But I think it was necessary to do all that to do justice to a story that was difficult to talk about and easy to misunderstand.

In your director’s statement on the film, you describe the film as one that “has an enormous impact on the people who see it”. What aspects of the film do you feel give it this broad appeal for viewers?

I think it would probably more accurate if I said that when people describe how moved they are by the film – that has an enormous impact on me. I think The Woodmans tells an intense, emotionally driven narrative and I try to be careful not to take sides in that story, careful not to tell the audience what to think about it. So, in a sense, the film can become a kind of “Rorschach” test where the audience fills in that blank with conclusions based on their own lives and family histories. Sometimes that can be a powerful. I hope The Woodmans is the kind of film you take away from the theater and wake up thinking about the next morning.

What elements of Francesca Woodman’s art most impacted or influenced your own decisions in what to emphasize in this documentary?

I think three elements: Francesca’s photography, her experimental videos and her personal journals all combine to make Francesca’s “voice” come alive. Best known are her self-portraits that reveal Francesca’s precocious talent and frame a view to her inner persona. Her experimental videos bring her to life and give you the chance to listen to her voice. And the journal entries give a sense of both her humor and, at times, her despair. Film is the only medium that can combine all three of those elements simultaneously to tell a story – and that’s what I tried to do.

What other films about art influenced you the most?

Art has the power both to hurt and to heal. My Architect was an extraordinary documentary that showed that and I think I always thought that The Woodmans should try to be that good. In My Architect the story of a son’s search for his father was used to reveal something about architecture most people would never stop to consider. In that way I hope the Woodman family story can illuminate something about the creative process and a life spent in pursuit of art that paintings and photographs alone can’t explain.

Filmmaker C. Scott Willis

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